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Harp : Excerpts from the Operatic and Concert Repertoire by
Concerto for orchestra / Bela Bartok -- Symphonie fantastique, op. 14 / Hector Berlioz -- The young person's guide to the orchestra, op. 34 / Benjamin Britten -- Sinfonie Nr. 8 in C minor / Anton Bruckner -- Lucia di Lammermoor / Gaetano Donizetti -- Sinfonie in D minor / Cesar Franck -- Ondine / Hans Werner Henze -- Der Bajazzo / Ruggiero Leoncavallo -- Cavalleria rusticana / Pietro Mascagni -- Alborada del grazioso ; Tzigane ; Klavierkonzert in G major / Maurice Ravel -- Mein Vaterland. Vysehrad / Bedrich Smetana -- Don Juan, op.20 ; Salome, op. 54 ; Ein Heldenleben, op. 40 / Richard Strauss -- Symphony in three movements / Igor Stravinsky -- Mignon / Ambroise Thomas -- Schwanensee, op. 20 ; Der Nussnacker (The Nutcracker), op. 71 / Peter Tchaikovsky -- Ein Maskenball ; Die Macht des Schicksals ; Aida / Giuseppe Verdi -- Tannhauser ; Die Meistersinger von Nurnberg ; Tristan und Isolde ; Die Walkure / Richard Wagner -- Aufforderung zum Tanz, op. 65 / Carl Maria von Weber.
Orchesterstudien für Harfe aus Richard Strauss' Symphonischen Werken. Vol. I by
Aus Italien, op. 16 -- Don Juan, op. 20 -- Tod und Verklärung, op. 24 -- Also sprach Zarathustra, op. 30
Orchesterstudien für Harfe aus Richard Strauss' Symphonischen Werken. Vol. II by
Don Quixote, op. 35 -- Ein Heldenleben, op. 40 -- Symphonia Domestica, op. 53
Orchestral Studies by
Swan Lake -- Sleeping Beauty -- Nutcracker Suite
The Harp; Its History, Technique and Repertoire by 
Pentacle: the Story of Carlos Salzedo and the Harp by
Carlos Salzedo, (1885-1961), was one of the seminal harpists of the twentieth century. Born in France, he came to America in 1909 to play under Toscanini at the Metropolitan Opera. A man of prodigious talent, he went on to radically change the image of the instrument and its capabilities. His compositions for the harp have become standards of the repertoire. A renowned teacher, he started the harp department at the Curtis Institute of Music. His many students have gone on to principal positions in the leading American orchestras and to teach at conservatories, colleges and universities throughout the country. But Salzedo's interests and influence went beyond the harp itself, as he was at the forefront of the post WWI contemporary music scene in New York City. This account, written by Salzedo's student and colleague Marietta Bitter, recounts his remarkable life story. She gives us the fascinating details of his professional and personal life, as well as the kind of intimate detail only possible from a close friend who was herself an eye witness to many of the events she describes. An indispensable book for those interested in the history of the harp, it will also fascinate readers looking to expand their understanding of the development of our American classical music scene.
Harp Music in the Nineteenth Century by 
